Museums, Closets and Two Quiet Feminisms, ADSR Zine, issue 002, edited by Elia Bosshard, James Hazel and Sonya Holowell.

Fierce and Fragile: Vicki Van Hout’s provocative body of work, essay in catalogue for exhibition In Response: Dialogues with RealTime, curated by Erin Brannigan, at UNSW Library Exhibition Space, Kensington Campus. URL coming soon.


Guest Editor for DANCE, in Runway Australian Experimental Art, Issue #36, March 2018, issue in association with the 2018 Keir Choreographic Awards, supported by Carriageworks and the Keir Foundation,

Thoughts on Performing (inside a work / as a work / as work) at Newtown Library, in 'Performance, Choreography, and the Gallery', Performance Paradigm, Issue #13, December 2017.

Guest Editor for dance/visual/art, in Critical Dialogues, Issue #9,


Book chapter co-authored with Erin Brannigan and Matthew Day, Research as Co-habitation: Experimental Composition across Theory and Practice, in Hetty Blades & Emma Meehan (Eds.). Performing Process: Sharing Dance and Choreographic Practice. London: Intellect, 2018,,id=5313/.


Jazz: Scores in Hindsight, in 'Writing Dancing', Critical Dialogues, Issue #5, (pp. 9 & 19), 2015, Available from:


Performed paper with Erin Brannigan & Vicki Van Hout, 24 Frames Presentation Thomson, Van Hout, Brannigan: At the Nexus Between Dance, Film and Visual Arts, in Tanz Connexions: Asien Pazifik Deutschland, Special Feature: Dance and Screen, Jakarta: Goethe Institut, 2015. Available from:


Co-authored dialogue with Angela Goh, Email Conversations on Contemporary Arts Practice (abridged), in Un Magazine, Issue #8.2, 2014, pp. 89-91. Available from:


Exhibition essay for One’s Own Dual, Photography and video installation by Rafaela Pandolfini, Room Sheet, First Draft Gallery, Sydney, 201